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Yo No Bi – Minoru Sato & Kanta Horio Tour – 08/2015

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Full of Noises presents a short UK tour showcasing installation works and performances by two of Japan’s most innovative sound artists. Kanta Horio 2 bw Kanta Horio creates performances and installations from physical phenomena including sound, light, magnetism and physical movement. He employs electromagnets, motors, LEDs and circuits to transfer elements of each between one another. He has performed widely both internationally and throughout Japan. Minoru Sato 1bw Minoru Sato is a sound artist with an interest in acoustic phenomena, which he explores through installations, multiples, performances and texts. Since 1989, he has presented work under the name “m/s”, establishing his own label “WrK” for creative activities in 1994. He also produces sound works under the name SASW, collaborative works as ASUNA and with his band ‘Il Grande Silenzio’. In the role of curator, he has also organised a number of contemporary art exhibitions and performance events. Full of Noises Installations: Sat 1st / Sun 2nd 12:00 - 18:00 at Cookes Studios Performance: Sat 1st August. doors open 19:00 at the Nan Tait Centre Tickets from £12 from eventbrite.co.uk Cafe OTO Performance: Thurs 6th 20:45 - (doors open 20:00) Tickets: £8 adv / £10 door / £5 concession The Tetley Installations: Sat 8th / Sun 9th 11:00 – 16:00 (free entry) Performance: Sat 8th 19:00 – 21:00 Tickets: £3 yo no bi #1 is a touring project curated by Full of Noises and Ryoko Akama with support from Arts Council England, Great Britain Sasakawa Foundation and the Daiwa Anglo-Japanese Foundation. LOGOBAR-MAY2

FON Air / Hannah Festival Edition – 12/06/15

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fon air Octopus presents: FON Air 10:00 - 18:00, Friday 12th June Click here to listen Barrow-based sound art collective Octopus present a day of live broadcasts from their studio in the park as part of hannah festival. hannah takes place in Leeds, and is accompanied by a directory that takes in groups and organisations across the North working in a wide range of areas from art and music to social and scientific projects. The festival takes it’s name from Hannah Mitchell (1872–1956), a suffragette and lifelong fighter for democracy and fairness, who went on to become a councillor in Manchester. To coincide with the hannah directory launch, Octopus will be rummaging through their archives and playing a selection of recordings previewing the 2015 edition of the Full of Noises festival alongside weird and wonderful radio pieces produced by sound artists from around the UK and Europe. Curious? Tune in any time between 10:00 and 18:00 on Friday 12th June at: www.octopuscollective.org/fon-air/

Workington and Beyond – Multi-channel work by Brona Martin, Cathy Lane and more – 05/08/15

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Workington and Beyond - Multi-channel work by Brona Martin, Cathy Lane, Karen Power and Annie Mahtani

Brona_Martin Cafe OTO, Ashwin St. London Weds 5th August 2015 Doors 8:00 / Start 8:45 Tickets: £6 advance / £8 on the door / £4 concessions Click here to buy advance tickets   An ongoing strand of the 'Full of Noises' programme focuses on multi-channel diffusion and spatial audio work so we were really excited to be able to commission Brona Martin to make a new work for the Hub - the UK's only public outdoor 3D ambisonic sound system. Brona has made a new Electroacoustic work in response to the industry, community and the environment around Workington, an industrial town on the edge of the Lake District. Following the piece’s premiere at the 2015 Full of Noises festival in Barrow in Furness, we are excited to bring the full programme to Cafe Oto, including a programme of fixed media multi-channel pieces by women composers, curated by Brona. The concert includes pieces by: Brona Martin is an Electroacoustic composer and sound artist from Banagher, Co. Offaly, Ireland. Her site specific works composed in stereo, 5.1 and 8-channel have included the creative exploration of soundscapes from Ireland, Manchester, West Coast Australia, Spain and Germany. Her works have been performed internationally at EMS, ACMC, ICMC, NYCEMF, ISSTA, NOISEFLOOR, Balance/Unbalance, SSSP, iFIMPaC and MANTIS. Audio link: https://soundcloud.com/brona-martin   Karen Power Irish composer Karen Power’s work utilises two primary sources; acoustic instruments and everyday sounds, spaces and soundscapes. Recent projects have been presented as orchestral works, sonic installations, collaborations between sound and dance, image and experimental film, free improvisations and musical happenings. For more information go to: www.karenpower.ie Audio Link: https://soundcloud.com/karenpower   Annie Mahtani Annie Mahtani is a composer and sound artist working and living in Birmingham. As a composer, Annie has collaborated with dance and theatre and worked on a number of site-specific installations. Her work has been performed extensively in concerts, conferences and festivals internationally. Commissions have included the University of Birmingham, Rosie Kay Dance Company, Birmingham Hippodrome, Jazzlines and PRS Women Make Music. Annie is also co-director of SOUNDkitchen, a Birmingham based organisation which she founded in 2010, dedicated to promoting local sound artists and composers. Audio Link: https://soundcloud.com/annie-mahtani   Cathy Lane Cathy Lane is a composer, sound artist, lecturer and researcher. Her practice has been shaped by the women's movement, community activism and a DIY aesthetic and, more recently, by working in schools, colleges and universities. She has collaborated with a number of other artists, composers and musicians including cinematographer Cathy Greenhalgh, textile artist Tessa Brown, composer Nye Parry and she has a long term collaborative relationship with British choreographer Rosemary Butcher. Cathy Lane established the department of Sound Arts and Design and now co - directs Creative Research in Sound Arts Practice (CRiSAP) at the University of the Arts, London. Audio Link: https://soundcloud.com/playingwithwords   This event is a Full of Noises project curated by Brona Martin with support from Arts Council England and PRS for Music Women Make Music.

Grace Schwindt: Little Birds and a Demon – 09/09/15

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drawing3 web Pavilion in partnership with Full of Noises presents Grace Schwindt Little Birds and a Demon – a Live Transmission From an isolated lighthouse on the southernmost tip of the Shetland Islands, three opera singers and an ensemble of musicians will send a call about love and death – for all those who care to listen. Little Birds and a Demon – a Live Transmission can be heard live at public listening stations in Barrow-in-Furnace, Berwick-upon-Tweed, Fleetwood, Glasgow, Leeds and Scarborough. 19 September at 3pm (GMT) Local listening station: Cooke’s Studios, Barrow-in-Furnace Entry: Free Book online: http://littlebirds-barrow.eventbrite.com or email: info@pavilion.org.uk The live sound broadcast will start promptly at 3pm and will last approximately 1-hour. Other ways to listen: Listeners anywhere can be put through to the live performance by calling +44(0)113 3201440 at the scheduled time. Calls cost local rates. Sound quality will be greatly reduced when listening on a telephone. Listen live on ResonanceFM, online, on 104.4FM in central London and on DAB across Greater London. resonance.fm A Pavilion project supported by Arts Council England Strategic Touring Programme pavilion.org.uk Partners and supporters: Leeds City Council, CCA, Crescent Arts, Z Hinchliffe, Full of Noises, Promote Shetland, Grundy Art Gallery, LeftCoast, Berwick Film and Media Arts Festival, aql & Sumburgh Head

Breadboard Orchestra Workshop, Vespertine York – 19/02/16

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vsp1 Sound and music workshop with Octopus Breadboard Orchestra 2pm Friday 19th February York St Mary’s Church This workshop is open to ages 8 upwards. No musical ability or experience required! It is free to attend but places are limited so please book by emailing vespertineyork_@_gmail.com Create your own piece of improvised music with homemade tabletop instruments built from wooden chopping boards and amplified with contact microphones. The workshop will focus on improvising together (using chopsticks, toothbrushes and other small objects) to create and perform a short piece of music with up to 8 performers. Designed as a no-budget, rucksack friendly alternative to a guitar, the boards are fitted with leftover strings and played with chopsticks, bows, mallets and assorted implements for a range of sounds from delicate, gamelan style pieces to massed drones and percussive repetition. The workshop will be run by sound artist Glenn Boulter of Cumbria’s Octopus Collective, organisers of the Full of Noises Festival. More info at: www.vespertineyork.com

WISWOS Concert: AGF, Hiukseni Okei, Anna Xambó – 22/04/16

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aVoiceBeuysweb Women in Sound / Women on Sound Concert: AGF, Hiukseni Okei and Anna Xambó Jack Hylton Music Room, Lancaster University Fri 22nd April 19:00 - 21:00 Free - booking required Click here to book On Friday 22nd April the Peter Scott Gallery is hosting the "Women in Sound Women on Sound" (WISWOS) Forum.  Full details on the forum can be found here. Following the forum, Full of Noises is pleased to welcome back Antye Greie-Ripatti (AGF) for a free evening concert alongside Hiukseni Okei and Anna Xambó. AGF aka Antye Greie-Ripatti is a digital songwriter, sound composer, poet, curator and educator. Her work emphasises the relationship between language, sound, voice, communication and non-human agency. It is expressed in music, audiovisual live performances, sound installations and commissions for film, theatre and exhibitions. Greie-Ripatti has released 30 records and numerous collaborations under aliases including AGF, Laub, AGF/Delay (with Vladislav Delay), Greie Gut Fraktion (with Gudrun Gut), and The Lappetites (with Kaffe Matthews, Ryoko Akama and Eliane Radigue) and many collaborations with the award-winning classical composer Craig Armstrong. Antye is active with the international arts collective female:pressure and has realized Nerdgirls, VISIBILITY and the Rojava project. http://poemproducer.com/ Hiukseni Okei (also known as "o.blaat"), is a sound art-i-vist, socio/environ composer, and a core member of SHARE.nyc, currently based in Brooklyn, NY, U.S.A. and Vienna, Austria. She is known for her works formed through experiments in restructuring and analyzing one's relationship with sounds in sociological, cultural, and/or psychological environments. http://soundleak.org/ Anna Xambo: "I make experimental electronic music using computer software (e.g. SuperCollider, Live), applications for mobile devices and sometimes basic DIY musical instruments (e.g. noise generators). As a composer, performer and producer of experimental electronic music, I perform under different aliases (peterMann, pulso). My works are usually published through the label Carpal Tunnel, co-founded together with Gerard Roma." http://annaxambo.me/ This concert is free but as capacity is limited, booking is recommended: https://www.lancasterarts.org/whats-on/wiswos-concert-antye-greie Full details on the forum can be found here: http://wiswos.bitbucket.org/index.html%3Fp=435.html  

SoundCamp – 30/04/16

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Hoad1 web 10cm 2 SoundCamp Hosted by Octopus Collective Starts: 16:00 Sat 30th April Ends: 9:00 Sun 1st May Ford Park,, Ulverston, Cumbria LA12 7JP Free - booking required Join Octopus and invited artists for a night of field recording, live streaming and creative writing in celebration of International Dawn Chorus Day. This year’s event takes the Coach House building in Ulverston’s Ford Park as a base for sound walks exploring nearby woods, farmland and canal banks to gather materials for an online broadcast. As part of the soundCamp network, we will be streaming the dawn chorus live between 5am and 6am, linking to Reveil: a 24 hour broadcast of the sounds of daybreak, relayed live by audio streamers around the globe. For this event we are delighted to have Cumbria-based poet Josephine Dickinson and artist Helen Frosi joining us to lead sound walks and other activities over the evening. Book a free ticket at eventbrite.co.uk: http://www.eventbrite.co.uk/e/sound-camp-2016-ulverston-tickets-24459278360 Please note that you will need to bring: Sturdy shoes / Wellingtons Wet weather gear! Optional: Notebook / sketchpad and pencils / pens Audio recorder or smartphone Camera / smartphone Schedule: Sat 30th April 16:00 – Arrive at Ford Park for an informal introduction to the artists and the rest of the group, prepare for a listening walk. 16:45 – Depart for a listening walk - sturdy footwear / wellingtons and wet weather clothing recommended. 17:00 – 19:00 – Listening walk led by Helen Frosi, Josephine Dickinson and Octopus. Feel free to bring a notebook, audio recorder, camera or smartphone if you have one. A number of audio recorders will be available to borrow/share. 19:15 – Arrive back at Ford Park. Evening meal - feel free to bring something to add. 20:00 – Introduction to Reveil and connecting with other soundCamps around the world. Short audio streaming workshop with Octopus. 20:30 – Sharing and working with audio / visual material to create a record of the listening walk for later broadcast, plus creating an online archive of writings, sounds, tweets and images from the walk. 22:30 – 00:00 – Capturing and streaming the sounds of the studio and the park at night. Listening in to the Reveil stream and sounds of dawn from across the globe. Sun 1st May 00:00 – 4:00 – A chance to grab some sleep or carry on recording / editing / streaming / discussing. Bring a sleeping bag and a camping mat. 4:00 – Meet in the studio grounds to prepare for Reveil stream. 5:00 – 6:00 – Stream the dawn chorus as part of Reveil. 8:00 – 9:00 Pack down. Breakfast in Ford Park Cafe   Invited artists: Photograph © Beowulf Sheehan www.beowulfsheehan.com Image: Beowulf Sheehan Josephine Dickinson read Classics at Oxford, and later became a composer and studied with Michael Finnissy and Richard Barrett. She has published four collections of poetry: Scarberry Hill (The Rialto, 2001), The Voice (Flambard, 2003), Silence Fell (Houghton Mifflin, 2007) and Night Journey (Flambard, 2008), and has collaborated extensively with artists, musicians and writers. Profoundly deaf since childhood, she became totally deaf in 2012. Her experiences throughout this and after receiving a cochlear implant have given her new insights into sound and a curiosity about its phenomenology, and how this can inform artistic practice. Active also as a visual artist, Josephine lives on a small hill farm in the remote high Pennines. Helen Frosi_Hand Gift Helen Frosi is currently co-curating the sound and music events for V22’s second Summer Club alongside Andie Brown (These Feathers have Plumes) and also a series of sound and listening focused art residencies in collaboration with Cafe OTO and New River Studios. Under the moniker Postcards from the Volcano, Helen curates and produces one-off radio shows as well as immersive sonic environments with Stephan Barrett. Helen is an honorary research fellow at Goldsmiths, University of London (Unit of Sound Practice Research), and was the first Curator-in-Residence at Octopus, Cumbria. Helen's says about her listening walk for soundCamp:  "Focusing on the sensory, we will explore the sights, smells, and textures of Ulverston in addition to its myriad sights and sounds. With a playful and interactive approach we will appreciate and interrogate our surroundings: Getting lost will be our map. We will walk, talk and write the landscape. We will hear the sky and read new buds on the trees. Our bodies moving will sculpt the land. Taking direct inspiration from the flora and fauna, we will imagine our environment in ways beyond the human." www.soundfjord.org For any other information, please contact: info@octopuscollective.org  

Rose is a Rose is a Rose is a Rose – 9/7/16

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Rose is a Rose- poster_A4 web Rose is a Rose is a Rose is a Rose Saturday 9th July 20:00 Ulverston Parish Rooms, 20 Church Walk, Ulverston, Cumbria LA12 7EN Tickets £5.00 / Conc £3.00 Click here to book

Full of Noises is excited to welcome violinist Alison Blunt and friends back to Cumbria with their new project Rose is a Rose is a Rose is a Rose.

'Rose...' draws on the famous recipes and writings of Alice B. Toklas (namely the Alice B. Toklas Cookbook), literary material of writer Gertrude Stein and extracts from 'Solo for Voice' by highly acclaimed Austrian composer Elisabeth Harnik, devised and performed by the ensemble. Amplified sounds produced by the live cooking are an integral part of the performance.

Alison Blunt (UK), Elisabeth Harnik (AT), Gina Mattiello (AT/IT) and Heidi Richter (AT) first created and performed 'Rose...', a live cooking, music and text work to celebrate International Women's Day 2012 in the historic space of Kulturpension Prenning in Styria.

'Rose...' was extremely well-received by an audience largely new to contemporary art music and the four felt mutually inspired by the experience of creating and performing together. A 2nd performance took place at Echoraum, Vienna in April this year and the ensemble are delighted to have the opportunity to share 'Rose...' with English audiences in early July.

Supported by Sound and Music's Composer-curator scheme.

FON Stories – Archive project & publication

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postermontage1 FoN Stories Archive project / Publication Since 2009, Full of Noises has provided an incubator for bold new work, producing and touring commissions from the most innovative of contemporary composers, musicians and sound artists. This year we're taking a breather to sort through our archive and ask ‘what next?’. As part of this process, we'll be running a call out for audiences and artists' stories to help create a publication and series of events celebrating our first seven years. We’d love to hear from you if you have:
  • A memory, story or anecdote about playing or visiting a Full of Noises event
  • A standout performances or work you’d like to tell us about
  • A video, image or recording you’d like to share
  • Impressions of exploring Barrow-in-Furness (including any brushes with BAE Systems security)
  • Ideas / opinions on what a contemporary sound art and music festival should look and sound like in 2017
Drop us a line using your preferred channel: Most of our events can be found at fonfestival.org/archive/ or our flickr page in case your memory needs a jog... All contributions will be gratefully received! Look out for daily posts from the archives tagged #fon365.  

V22 Summer Club 12/08/16 – FON Archive Night #1

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Full of Noises Prog 15 8-1 V22 Summer Club - FON Archive Night 1 Friday 12th August 19:00 - 21:00 (programme starts promptly at 19:00) V22 Louise House, Forest Hill, London £5 on the door / £3 concessions Buy tickets at WeGotTickets Starting life in the former canteen building of a Trident submarine plant, Full of Noises has presented four biennial festivals showcasing bold new work by two hundred sound artists, composers and musicians. For our event at V22 Summer Club, we've invited a handful of artists from across the festival's lifespan to perform and present work in progress from our forthcoming film and publication commissions. Featured artists include voice-based performances from Ingrid Plum, Sybella Perry and Iain Woods as well as analogue tape loops from Howlround and a work in progress screening of a new short film created from Full of Noises archive footage from Helen Petts. Join us to relive some of the festival's many strange and beautiful moments, or if you've never made it as far as Barrow-in-Furness, sample a few of the exciting things that have been going on in our remote corner of the world. V22 Summer Club Website Venue Map / travel info About the Artists: helenpetts_merzbarn_lighter-2 Helen Petts is an artist film-maker who explores rhythm, texture, sound and chance events, both in the landscape and in her long standing relationship with the free improvisation music community. A former television director of arts programmes, she now regularly shows her own art work at film and music festivals as well as in gallery installations. She studied Fine Art at Goldsmith's College and Film at Westminster University. Her work is distributed by Lux Artists Moving Image. helenpetts.com GL Sybella Perry is a British artist currently based in Berlin working with sound, moving image and performance. Her works have a strong focus on the experience of architectural space and the natural landscape in relation to memory, often using a personal fascination for a location as a starting point for research. Previous sites of interest include highland waterfalls, rural stone-circles, cliff-top hotels and drive-in cinemas. The indirect experience of a location communicated through mass media is key to the production of her work; using field-recording, spoken word, film and video and taking the form of multiple projections, outdoor screenings, radio broadcast and live performance. cargocollective.com/sybellaperry HR12 First coming to prominence with hugely-acclaimed LP The Ghosts Of Bush, Howlround have now expanded to a sextet (four machines, two people) and create recordings and performances entirely from manipulating natural acoustic sounds on vintage reel-to-reel tape machines, with additional reverb or electronic effects strictly forbidden, a process described by The Wire Magazine as ‘strange and wonderful glory’. Their live performances are always a distinctive spectacle, in which haunting and uncanny soundscapes are created from loops of quarter-inch tape stretched and balanced precariously around the venue, while the duo try desperately to prevent the loops from snarling, snapping or becoming entangled – part sound design, part chaotic performance art. robinthefog.com/howlround Ingrid Plum bw3
Ingrid Plum is an artist working with Sound, Voice, Space and Video. Plum uses her voice with extended technique, improvisation, field recordings and electronics, to create layered soundscapes, spoken word and songs. Having performed and exhibited installation sound art and visual art since 2002, she creates work that sits between sound art, improvisation, multi-media installation, neo-classical and contemporary Nordic folk music.The intimacy Plum creates in her recordings and live performance has the honesty of a confessional with the sonic scope of the forests and open coastlines of her native Denmark, that inspire much of her music. With installations that create meditative, sensory stimulative environments and performing stripped back, minimal gigs, she entices you into her hushed world. ingridplum.com

V22 Summer Club 11/08/16 – Octopus Breadboard Workshop

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IMG_1071 V22 Summer Club – Octopus Breadboard Workshop Thursday 11th August V22 Louise House, Forest Hill, London Book: Session 1 - 12:00 – 13:00 (10 places) £3 Book: Session 2 - 13:00 - 14:00 (10 places) £3 Create your own piece of improvised music with homemade tabletop instruments built from wooden chopping boards and amplified with contact microphones. The workshop will focus on improvising together (using chopsticks, toothbrushes and other small objects) to create and perform a short piece of music with up to 8 performers. Designed as a no-budget, rucksack friendly alternative to a guitar, the boards are fitted with leftover strings and played with chopsticks, bows, mallets and assorted implements for a range of sounds from delicate, gamelan style pieces to massed drones and percussive repetition. Each workshop session uses a completely different tuning, ensuring that no two pieces are the same. The workshop will be run by artists Glenn Boulter and Andrew Deakin of Cumbria's Octopus Collective, organisers of the Full of Noises Festival. Versions of the breadboard have traveled far and wide from the Sao Paulo Biennial to a Victorian Castle in the Lake District, the streets of York and the Cafe OTO project space. From their studio base in a public park on Cumbria’s Furness Peninsula, Octopus Collective produce the biennial Full of Noises festival and events series, providing an incubator for new work from the most innovative of contemporary composers and sound artists. This event is part of the Summer Club Sound residency at V22 Summer Club 2016. The workshop is open to all ages and no musical ability or experience is required. Anyone under the age of 16 must be accompanied by an adult. V22 Summer Club Website Venue Map / travel info

Workington and Beyond – Multi-channel work by Brona Martin, Cathy Lane and more – 05/08/15

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Workington and Beyond - Multi-channel work by Brona Martin, Cathy Lane, Karen Power and Annie Mahtani

Brona_Martin Cafe OTO, Ashwin St. London Weds 5th August 2015 Doors 8:00 / Start 8:45 Tickets: £6 advance / £8 on the door / £4 concessions Click here to buy advance tickets An ongoing strand of the 'Full of Noises' programme focuses on multi-channel diffusion and spatial audio work so we were really excited to be able to commission Brona Martin to make a new work for the Hub - the UK's only public outdoor 3D ambisonic sound system. Brona has made a new Electroacoustic work in response to the industry, community and the environment around Workington, an industrial town on the edge of the Lake District. Following the piece’s premiere at the 2015 Full of Noises festival in Barrow in Furness, we are excited to bring the full programme to Cafe Oto, including a programme of fixed media multi-channel pieces by women composers, curated by Brona. The concert includes pieces by: Brona Martin is an Electroacoustic composer and sound artist from Banagher, Co. Offaly, Ireland. Her site specific works composed in stereo, 5.1 and 8-channel have included the creative exploration of soundscapes from Ireland, Manchester, West Coast Australia, Spain and Germany. Her works have been performed internationally at EMS, ACMC, ICMC, NYCEMF, ISSTA, NOISEFLOOR, Balance/Unbalance, SSSP, iFIMPaC and MANTIS. Audio link: https://soundcloud.com/brona-martin Karen Power Irish composer Karen Power’s work utilises two primary sources; acoustic instruments and everyday sounds, spaces and soundscapes. Recent projects have been presented as orchestral works, sonic installations, collaborations between sound and dance, image and experimental film, free improvisations and musical happenings. For more information go to: www.karenpower.ie Audio Link: https://soundcloud.com/karenpower Annie Mahtani Annie Mahtani is a composer and sound artist working and living in Birmingham. As a composer, Annie has collaborated with dance and theatre and worked on a number of site-specific installations. Her work has been performed extensively in concerts, conferences and festivals internationally. Commissions have included the University of Birmingham, Rosie Kay Dance Company, Birmingham Hippodrome, Jazzlines and PRS Women Make Music. Annie is also co-director of SOUNDkitchen, a Birmingham based organisation which she founded in 2010, dedicated to promoting local sound artists and composers. Audio Link: https://soundcloud.com/annie-mahtani Cathy Lane Cathy Lane is a composer, sound artist, lecturer and researcher. Her practice has been shaped by the women's movement, community activism and a DIY aesthetic and, more recently, by working in schools, colleges and universities. She has collaborated with a number of other artists, composers and musicians including cinematographer Cathy Greenhalgh, textile artist Tessa Brown, composer Nye Parry and she has a long term collaborative relationship with British choreographer Rosemary Butcher. Cathy Lane established the department of Sound Arts and Design and now co - directs Creative Research in Sound Arts Practice (CRiSAP) at the University of the Arts, London. Audio Link: https://soundcloud.com/playingwithwords   This event is a Full of Noises project curated by Brona Martin with support from Arts Council England and PRS for Music Foundation's Women Make Music. WomenMakeMusic_LOGO prsf_rgb (1)

Full of Noise Archive Night #2 – Islington Mill, Sat 8th October

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Full of Noises Prog 15 8-1 Full of Noises - Archive Night #2 With: Leslie Deere, Helen Petts, Mary Stark, These Feathers Have Plumes & FoN book launch Islington Mill Sat 8th Oct 19:30 - 22:30 Tickets: £6 / £4 concessions Since starting life in the former canteen building of a Trident submarine plant in 2009, Cumbria’s Full of Noises has presented new work by over two hundred sound artists, composers and musicians. To celebrate the launch of a publication looking back at the festival’s first seven years, we’re bringing Full of Noises to Islington Mill for a special event featuring film screenings and live performances. Artist filmmaker Helen Petts presents a new film compiled from archive footage alongside a film portrait of Lol Coxhill commissioned for FoN in 2013. Live performances come from These Feathers Have Plumes (Andie Brown), creating sonic landscapes from glass and electronics, gesture based live sound from Leslie Deere and a 16mm film performance exploring optical sound created from fabric and stitch patterns by Mary Stark. Join us to relive some of the festival’s many strange and beautiful moments, or if you’ve never made it as far as Barrow-in-Furness, sample a few of the exciting things that have been going on in our remote corner of the world... Click here to buy tickets at eventbrite.   TFHP Cafe OTO by Dawid Laskowski Andie Brown has been performing and recording as a solo-artist since 2007, under the name These Feathers Have Plumes, primarily working with glass and electronics. Andie performs regularly and has played in both the UK and Europe, including at Full of Noises Festival in Cumbria, the De La Warr Pavilion and Cafe OTO. Additionally, Andie has collaborated live with a diverse range of artists, including Sophie Cooper & Joincey in Remedial Queen of England, Part Wild Horses Mane on Both Sides, Phil Julian, Piotr Kurek and Adam Bohman. In 2015 Andie played in a percussion and glass ensemble, conducted by Steve Beresford for Christian Marclay at White Cube Gallery. Website KPPG_LIVE bw Leslie Deere is a London based artist. Originally from Tennessee, Leslie moved to the UK to study Sonic Art, continuing on from a performing arts dance scholarship in New York City. Commissions include sound installations for Kew Gardens and the SoundUK 2013 tour. Most recently Leslie completed the inaugural year of the KULES residency in Stoke-on-Trent. Other commissions in 2015 include the Direction Artistique exhibition at Galerie Magda Danysz in Paris and a performance at MKII gallery in London for the launch of Graham Dunning’s Fractal Meat Cuts Volume 1 on Adaadat Records. Website helenpetts_merzbarn_lighter-2 Helen Petts is an artist film-maker who explores rhythm, texture, sound and chance events, both in the landscape and in her long standing relationship with the free improvisation music community. A former television director of arts programmes, she now regularly shows her own art work at film and music festivals as well as in gallery installations. She studied Fine Art at Goldsmith’s College and Film at Westminster University. Her work is distributed by Lux Artists Moving Image. Website MStarkBW
Mary Stark is an artist filmmaker with a background in textile practice based at Rogue Studios, Manchester. Since 2012 Mary has been making 16mm film performances exploring optical sound created from fabric and stitch patterns. The filmmaking technology of optical sound involves visual forms in the soundtrack area of the filmstrip transforming into noise through film projection. Mary's performances summon absent voices and obsolete industries, involving 16mm film projection, light and shadow, mechanical noise and music associated with textile production. In September 2014 Mary undertook a four week artist residency at LIFT, the Liaison of Independent Filmmakers of Toronto, funded by the Canada Council for the Arts, the National Lottery through Arts Council England and Manchester Institute for Research and Innovation in Art and Design (MIRIAD). Mary is studying a practice as research PhD with MIRIAD at Manchester School of Art. Recent shows include Supernormal Festival of Experimental Arts & Music, Contact Festival of New Experimental Film and Video, a specially commissioned camera-less 35mm film in response to the Delia Derbyshire Archive, Mono No Aware exhibition of Expanded Cinema in New York and a performance in a makeshift darkroom in Sauðárkrókur, Iceland. Website

Radio Revolten – Mary Stark / Howlround / FoN Archive, 10/2016

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RR2_Logo_cmyk_Info_E Radio Revolten International Radio Art Festival 1st to 30th October 2016 Halle (Saale), Germany
Full of Noises heads to Halle next month with artists Mary Stark and Robin the Fog to take part in Radio Revolten, the largest and most comprehensive festival of radio art ever to be held worldwide. Radio as a multi-faceted art form will be presented at a four-week festival, which will take place in October 2016 in Halle (Saale) in Germany. 70 artists from 17 countries will present contemporary radio art at 15 locations in the city in the form of installations, performances, concerts and interventions. On air, the festival will broadcast on the FM frequency 99.3 MHz in Halle. 35 radio stations across the world will relay parts of the programme, and Resonance Extra in Brighton (UK) will take it over entirely. The festival will feature artistic works ranging from the opening performance event of the award-winning Resonance Radio Orchestra (UK), to individual daily encounters with the artist Marold Langer-Philippsen (SK). A performance by Alessandro Bosetti (IT) will take place in cooperation with Deutschlandradio Kultur. The festival programme features performances and installations by pioneers of radio art such as Joyce Hinterding (AU), Tetsuo Kogawa (JN), and Gregory Whitehead (US). The team of curators comprises radio artists Knut Aufermann, Anna Friz and Sarah Washington, the editor of ORF Kunstradio Elisabeth Zimmermann and the programme coordinator of Radio Corax Ralf Wendt. Read more about the festival at: radiorevolten.net

Listening to the End of the World – 29/10/16

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soundcamp

soundcamp               LISTENING TO THE END OF THE WORLD: LIVE STREAMING THE UNIVERSITY OF TOKYO CYBERFORESTS AND OTHER REMOTE OBJECTS Sat 29 October 2016 13:00 – 17:00 BST Goldsmiths University of London Room 274, 1st floor Richard Hoggart Building London SE14 6NW

Octopus discuss their work with SoundCamp and South Walney Nature Reserve as part of this conference on live streaming.

A team from the University of Tokyo will present the work of Cyberforest, a unique trans-disciplinary research programme which has been streaming and archiving live sounds, video and other data from the University of Tokyo Forests since 1995.

London-based artist collective SoundCamp will curate two panels bringing together artists, academics and naturalists to place this pioneering work in the context of related practices in the UK and beyond. This sharing of ideas and experiences will be the basis for further exchanges and collaborations.

Panel 1 (facilitated by Prof. John Drever (SPR, Goldsmiths)

Includes highlights from the Cyberforest archive together with live listening to nocturnal sounds from sites around Japan. With Saito Kaoru, Daisuké Shimotoku and Ayako Toko (all of Cyberforest) in London; and from Japan: ornithologists Mutsuyuki Ueta & Reiko Kurosawa of the Japan Bird Research Association.

Panel 2 (facilitated by SoundCamp)

Artist Hill Hiroki Kobayashi will join remotely to talk about streaming live sounds from the Fukushima exclusion zone. Glenn Boulter and Sarah Dalrymple introduce the Cumbria Open Microphone Network (COMN) a pilot project to relay live feeds from a seal colony on South Walney Island and other remote locations on Cumbria's Nuclear Coast. Rachel Jacobs will talk about her work with the Mixed Reality Lab using live data from tropical forests.

You are invited to join us for drinks after the event

Participants:

Cyberforest http://www.cyberforest.jp/

SoundCamp http://www.soundtent.org/

John Levack Drever (SPR, Goldsmiths) http://www.gold.ac.uk/spr/

Hill Hiroki Kobayashi (University of Tokyo) http://hhkobayashi.com/

Rachel Jacobs (Active Ingredient and MRL, Nottingham) http://www.i-am-ai.net/

Glenn Boulter (Octopus Collective, Cumbria) http://glennboulter.net/

Sarah Dalrymple (Cumbria Wildlife Trust) https://goo.gl/qNPuew

Japan Bird Research Association http://www.bird-research.jp/index-e.html

Hosted by: 

Unit for Sound Practice Research, Goldsmiths 

 

Publication – Remote Possibilities

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Full of Noises - Remote Possibilities 160 pages, perfect bound book Limited edition of 150 copies Our first publication, Remote Possibilities launches next week as part of an end of year fundraiser. The perfect gift for the experimental music fan in your life (or yourself) includes photography, essays and reflections from artists that have helped us make the first four editions of the festival so special. All proceeds from sales of the book will contribute to our 2017 events and residency programme. Prices are £15, or £20 with a limited edition A5 print from photographer Benedict Phillips. Both options include postage and a selection of original flyers and posters from the FoN archive. To accompany the book, we've commissioned two artist filmmakers to delve into the murky world of the FoN video archive. The first of these by Helen Petts draws upon performances, artworks and the local landscape to capture a sense of 'the festival at the end of the world'. Look out for the second film in the series from Mary Stark later this month. Click here to visit our page at Indiegogo and order your copy of the book. The campaign runs from Wednesday 7th December until the end of January.

Oshiro Makoto & Suzueri: Islington Mill 6-8/02/17

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Full of Noises & AME present a short UK tour showcasing installation works and performances by two of Japan’s most innovative sound artists, Oshiro Makoto and Suzueri. Starting with two new installations and performances at Islington Mill, Manchester (Tues/Weds 7/8th Feb), the tour continues to Access Space Sheffield (Thurs 9th Feb) and concludes at FUSE, Bradford (Sat 11th Feb). Islington Mill, Manchester, Mon 6th - Weds 8th Feb 2017 Performance: Mon 6th Feb, 19:30 - 22:00 Advance tickets £6/£4 from eventbrite.co.uk- click here. Installations (free admission): Mon 6th Feb 14:00-18:00 Tues 7th / Weds 8th Feb, 14:00 - 20:00 Venue info: http://islingtonmill.com/ Suzueri (Elico Suzuki) is a Tokyo-based sound artist and improviser. She creates performance and installations with handmade devices, instruments, prepared piano and voice, exploring methods of performing them in the most roundabout ways. Past exhibitions includes Emergencies (NTT ICC, 2008) and Web-based exhibition (Hiroshima Prefectural Art Museum, 2008) and she released five albums, including a quartet with Makoto Oshiro,Tetuzi Akiyama and Roger Turner [Live at ftarri] (Ftarri Meenna 2015). suzueri.org Makoto Oshiro is a Tokyo-based performer and artist. His primary medium is sound, but he also combines other elements including light, electricity and the movement of objects. In live performances, he uses self-made tools and instruments based on electronic devices, everyday materials, and junk. His installation work handles sound as a physical and auditory phenomenon, and focuses on characteristics such as vibration and interference. He released his first solo CD Phenomenal World on Japanese label Hitorri. torpedoo.net/oshiro.html Yo No Bi #2 is a Full of Noises & AME project curated by Ryoko Akama with support from Arts Council England, Great Britain Sasakawa Foundation, the Japan Society and the Japan Foundation.

Oshiro Makoto & Suzueri: Access Space, Sheffield 09/02/17

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Full of Noises & AME present a short UK tour showcasing installation works and performances by two of Japan’s most innovative sound artists, Oshiro Makoto and Suzueri. Starting with two new installations and performances at Islington Mill, Manchester (Tues/Weds 7/8th Feb), the tour continues to Access Space Sheffield (Thurs 9th Feb) and concludes at FUSE, Bradford (Sat 11th Feb). Access Space, Thurs 9th Feb 2017 Performance - Doors 19:00 / Start 19:30 Tickets: £5 / £3 online or on the door Advance tickets from eventbrite - click here Venue info: http://access-space.org/ Suzueri (Elico Suzuki) is a Tokyo-based sound artist and improviser. She creates performance and installations with handmade devices, instruments, prepared piano and voice, exploring methods of performing them in the most roundabout ways. Past exhibitions includes Emergencies (NTT ICC, 2008) and Web-based exhibition (Hiroshima Prefectural Art Museum, 2008) and she released five albums, including a quartet with Makoto Oshiro,Tetuzi Akiyama and Roger Turner [Live at ftarri] (Ftarri Meenna 2015). suzueri.org Makoto Oshiro is a Tokyo-based performer and artist. His primary medium is sound, but he also combines other elements including light, electricity and the movement of objects. In live performances, he uses self-made tools and instruments based on electronic devices, everyday materials, and junk. His installation work handles sound as a physical and auditory phenomenon, and focuses on characteristics such as vibration and interference. He released his first solo CD Phenomenal World on Japanese label Hitorri. torpedoo.net/oshiro.html Yo No Bi #2 is a Full of Noises & AME project curated by Ryoko Akama with support from Arts Council England, Great Britain Sasakawa Foundation, the Japan Society and the Japan Foundation.

Oshiro Makoto & Suzueri: FUSE, Bradford 11/02/17

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Full of Noises & AME present a short UK tour showcasing installation works and performances by two of Japan’s most innovative sound artists, Oshiro Makoto and Suzueri. Starting with two new installations and performances at Islington Mill, Manchester (Tues/Weds 7/8th Feb), the tour continues to Access Space Sheffield (Thurs 9th Feb) and concludes at FUSE, Bradford (Sat 11th Feb). FUSE, Bradford, Sat 11th Feb 2017 Performance - Doors 19:00 / Start 19:30 Tickets: £5 / £3 online or on the door Advance tickets from eventbrite - click here Venue info: http://www.wearefuse.co/ Suzueri (Elico Suzuki) is a Tokyo-based sound artist and improviser. She creates performance and installations with handmade devices, instruments, prepared piano and voice, exploring methods of performing them in the most roundabout ways. Past exhibitions includes Emergencies (NTT ICC, 2008) and Web-based exhibition (Hiroshima Prefectural Art Museum, 2008) and she released five albums, including a quartet with Makoto Oshiro,Tetuzi Akiyama and Roger Turner [Live at ftarri] (Ftarri Meenna 2015). suzueri.org Makoto Oshiro is a Tokyo-based performer and artist. His primary medium is sound, but he also combines other elements including light, electricity and the movement of objects. In live performances, he uses self-made tools and instruments based on electronic devices, everyday materials, and junk. His installation work handles sound as a physical and auditory phenomenon, and focuses on characteristics such as vibration and interference. He released his first solo CD Phenomenal World on Japanese label Hitorri. torpedoo.net/oshiro.html Yo No Bi #2 is a Full of Noises & AME project curated by Ryoko Akama with support from Arts Council England, Great Britain Sasakawa Foundation, the Japan Society and the Japan Foundation.

Soundcamp at South Walney, 6-7/05/17

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Sound Camp Starts - 15:00, Sat 6th May Ends - 9:00, Sun 7th May South Walney Nature Reserve £10/£8 - ticket includes admission and camping Join Octopus Collective, Cumbria Wildlife Trust and invited artists at South Walney Nature Reserve for Soundcamp , an overnight event in celebration of International Dawn Chorus Day. The Cumbria Soundcamp is part of a network of UK and international sites taking part in the Reveil radio broadcast, which circles the earth at sunrise on a network of live audio streams. Each soundcamp is a chance to explore a place of acoustic and ecological interest through workshops, performances, presentations and an overnight camp. The day’s activities will include guided listening walks and workshops followed by streaming the dawn chorus from Walney to a 24 hour broadcast of the sounds of daybreak, relayed live by audio streamers around the globe. Places are limited - please book a ticket in advance to ensure a place. Tickets can be booked at eventbrite by clicking here. Further details of invited artists and activities will be posted on this page during March. * Please note that this is an overnight event and you will need to provide your own camping equipment and a contribution to a shared meal. Sturdy shoes or Wellingtons and wet weather gear are also recommended. A minibus to the reserve will be provided from Barrow-in-Furness rail station for attendees using public transport. Please note that no dogs are allowed on site except for assistance dogs Read more about Reveil and the Soundcamp project at: www.soundtent.org
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